Exploring the Frozen, Fascinating World of “Penguins” at Walt Disney Studios

Exploring the Frozen, Fascinating World of “Penguins” at Walt Disney Studios

By Melanie Gable

*I was invited as media to attend a press screening of Disneynature’s “Penguins” at Walt Disney Studios. All thoughts and opinions are my own. 

There’s something about penguins. Is it their endearing waddle? Their tuxedo-like feathers? Their fortitude against harsh weather conditions? Their playfulness as they slide down icy hills or take turns hopping into the ocean for a refreshing swim?

Whatever the reason, penguins are arguably one of the most beloved animals in pop culture, inspiring documentaries, animated films, children’s books, online games, and more, especially over the past two decades.

Disneynature is now taking on these adorable avian creatures with the new feature film “Penguins.” Just in time for Earth Day, audiences are invited to follow the true life adventures of Steve, an Adélie penguin who sets out on a coming-of-age quest to become a family man…er, bird. He faces the challenges that come with living in the wilds of Antarctica – from predators like seals and orcas, to the simple inability to impress a female mate – and makes us laugh along the way.


 
To celebrate the release of “Penguins,” we were invited to a press screening of the movie at the Walt Disney Studios lot, followed by a Q&A with Producer Roy Conli.

Directed by Alastair Fothergill (“Bears,” “Chimpanzee”) and Jeff Wilson (“Monkey Kingdom”), “Penguins” follows in the footsteps of Disneynature’s past films by featuring stunning cinematography, a window into a rarely-seen pocket of the natural world, and a mix of suspense, heartbreak, and humor. But “Penguins” has an even lighter touch than many of Disneynature’s past offerings, emphasizing the inherently funny characteristics of Adélies with laugh-out-loud music cues and narration by Ed Helms (“The Office,” “The Hangover” trilogy, “The Daily Show with Jon Stewart”), an actor known for great comedic timing and improv skills.

While recording his dialogue for the film, Helms was charmed by the footage of Steve and his fellow penguins. “Even though they’re birds, they’re really aquatic creatures, and in the water they’re unbelievably graceful and elegant, fast and agile. But on land, they’re so awkward; they walk with this sort of weird wobble. And yet, they have such spirit and moxie because they persevere in these crazy Antarctic conditions.”

Adélie penguins are named after the wife of French explorer Jules Dumont d’Urville, who discovered the species in 1840. Growing to only around two feet tall, Adélies are smaller than their Antarctic neighbors, Emperor penguins, but possess oversized temperaments.
Said Fothergill, “People may be more familiar with Emperor penguins, but they’re actually pretty mellow. I like to say that Emperor penguins are the California surfers and Adélie penguins are New York City taxi drivers. They have attitude. They’re feisty. They have an extraordinary amount of expression in their eyes. They almost look animated. And I knew—with their big personalities—the film would have a lot of comedy.”


Described by Conli as an “everypenguin,” the aptly named Steve is a five-year-old Adélie who struggles with first-time fatherhood, leading to some nail-biting, hilarious, and downright gross moments that human parents are sure to find relatable. We watch as Steve builds a nest, fights off rock-stealing male competitors, attracts a mate named Adeline, and shares parenting duties with his penguin partner. We chuckle at Steve’s missteps (sometimes literally, as he is often slipping on the ice), root for him and his family, and marvel at his ability to survive what seem like insurmountable obstacles in the frigid Antarctic climate. Though Steve’s behavior is entertaining, any film that is true to nature is sure to include scenes that are hard to watch for those who are sensitive to animal peril, and may even prompt some in the audience to cover their eyes in suspense.

“There are still places left on Earth that are remote, untouched by human presence and where real-life dramas play out on a daily basis,” says Wilson. “Adélie penguins deserve our respect and adoration and stewardship for the fact that they are superbly adapted to living in one of the harshest continents on Earth.”

“Penguins” was filmed over the course of three years by a world-renowned group of polar experts. They literally immersed themselves in the environments of their subjects, following the Adélies across icy landscapes and underwater, shooting for nearly 900 camera days. “These locations may be the hardest locations to get to of any Disneynature film we’ve made so far,” said Fothergill. “It’s hard to think of a tougher habitat on the planet.”

Editor Andy Netley was given the challenging task of sorting through the many hours of footage to carve out a compelling narrative arc and keep the focus squarely on the film’s star penguin. “Disneynature movies are unique because they’re so character driven. We definitely wanted to do an emotional and informative story, but above all, it’s Steve’s story.”

Moviegoers of all ages are sure to be captivated by “Penguins,” which is the first Disneynature film to be released in IMAX. Audiences can also help aid conservation efforts by seeing the movie during opening week (April 17-23, 2019). For every ticket sold during this time, Disneynature will make a donation to the Wildlife Conservation Network (WCN), which helps protect penguins across the southern hemisphere. WCN supports an elite network of on-the-ground conservationists, including the Global Penguin Society (GPS), the worldwide leader in science-based penguin conservation and a champion of specific programs that align with Disneynature’s mission. For the past ten years, Disneynature has empowered audiences to help make a difference, with each new movie supporting the conservation of the wildlife featured in the films

Disneynature’s “Penguins” is open nationwide in theaters and in IMAX now!

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Visit the official website here: https://nature.disney.com/penguins

Disney’s Dumbo in Theaters Now!

Disney’s Dumbo in Theaters Now!

By Jonelle

Growing up I loved Disney. As an adult, I love Disney. Driving into the Disney Studios in Burbank, never gets boring. This was a placed I dreamed of working. As I walk to the theater where the special preview of Dumbo is screening, I wonder if Mr. Disney walked the same streets or turned the same corners.

I was asked to screen the upcoming Disney release Dumbo and here’s the thing, I never saw the original in its entirety, which I just found out is only about 60 minutes or so. Is this a good thing or a bad thing? Dumbo was originally slated as a 30-minute short film. It ultimately expanded to just under 64 minutes (Dumbo is Disney’s second shortest animated feature film behind 1942’s “Saludos Amigos,” which was just 42 minutes).

I’ve seen the trailer for the live action version many times, and each time I had tears and chills. I kept thinking 1. Wow, Colin Farrell gets better looking with age and 2. That is the cutest elephant I’ve ever seen, where can I get one. Yes, that is how real the CGI looks.

Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) are charged with caring for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. ©2018 Disney Enterprises, Inc. 

Let’s be honest, I know a little bit about the original. It’s about a baby elephant who is taken away from its mother, has ginormous ears and is forced to fly in a circus. Beyond that, I had nothing. We all know about the famous music that came out of the original. Danny Elfman keeps those same elements in his reimagined score. You’ll find a few other elements from the original, like the pink elephants, a reimagined Timothy Mouse and of course the famous Casey Jr. Circus Train.

The film centers around a traveling circus in the height of the traveling circus craze. Colin Farrell’s, Holt Farrier, has just come back from WWI having sustained an injury that left him with one arm. His wife has died and his and his children were left, being raised by the “Circus Freaks” they’ve come to know as family. Holt and his wife were the main attraction of the Medici Family Circus, and once that duo ceased to exist, so did the attraction of this traveling band of misfits. With times hard continuing in the foreseeable future, Max Medici, sells Holt’s prized horses to purchase a pregnant African Elephant, call it a two-for-the-price-of-one deal. However, once baby Jumbo, Dumbo’s original name, is born, Max sees him as just another freak, saying, “a face only a mother could love.”

EARS TO YOU ©2018 Disney Enterprises, Inc. 

With his Jumbo ears, Dumbo, is made to dress up like a clown, perform horrific stunts and is teased mercilessly by the circus crowd. Mama Jumbo gets very angry at the people laughing at her baby and take matters into her own hooves. Because of her actions, one of the roadies get killed and many spectators get injured. This is going to wreck the Medici Family Circus, so he gets rid of Mama Jumbo and keeps his new attraction: Dumbo the Flying Elephant.

STEP RIGHT UP – Danny DeVito stars as Max Medici, the owner of a struggling circus that makes a comeback when he discovers his new baby elephant can fly. © 2019 Disney Enterprises, Inc. 

Dumbo, even with the love of Holt’s children Milly and Joe, is depressed because he misses his mother, something Milly and Joe can relate to. There are so many parallels between Milly, Joe and Dumbo. They’re not taken seriously, they have lost their mother, they’re trying to just find their place in the world.

BATHTIME — Milly Farrier—the daughter of a former circus star charged with caring for a newborn elephant—quickly embraces the newest member of their circus family. © 2019 Disney Enterprises, Inc. 

Once the circus begins to thrive again with Dumbo’s help –he’s forced to fly–, villain V.A. Vandevere, played by Michael Keaton, makes Max Medici an offer he cannot refuse, he becomes the Vice President (in name only) of Vandevere’s state of the art amusement park, Dreamland. Not everyone in Dreamland agrees with Vandevere’s treatment of his animals, especially his most prized item, Dumbo. This leads to the climax of the story. Dumbo is anxious to be with his mama once more.

FLYING HIGH 

The movie itself is absolutely visually stunning. We are taken back to 1920’s America and then taken to a “Fantasyland” of entrainment called Dreamland.  You forget you’re looking at CGI elephants. They look so real and Dumbo’s eyes are the most endearing eyes, you can’t help but want to save all the elephants.  The costumes in Dreamland are brightly colored and magical, especially the costumes worn by Eva Green’s, Colette Merchant, the famous trapeze artist who is tasked to soar with Dumbo.  She wears this this beautiful feathered outfit that truly makes her look like a soaring bird. 

PARTNERS –Accomplished aerialist Colette Marchant is paired with a flying elephant named Dumbo in a new act at a state-of-the-art amusement park called Dreamland. © 2019 Disney Enterprises, Inc. 

One thing that Max Medici says towards the end of the film is that animals “don’t belong in cages”. The messages in this film speak volumes. At its heart, this simple story is one of family and acceptance, acceptance of what makes us all different. We could learn a lot from Dumbo. And yes, animals don’t belong in cages.

Dumbo is directed by Tim Burton and stars Colin Farrell as Holt Farrier, Michael Keaton as V.A. Vandevere, Danny DeVito as Max Medici, Eva Green as Colette Marchant, Nico Parker as Milly Farrier, Finley Hobbins as Joe Farrier, Alan Arkin as J. Griffin Remington, Roshan Seth as Pramesh Singh, DeObia Oparei as Rongo the Strongo, Joseph Gatt as Neils Skellig, and Sharon Rooney as Miss Atlantis.

Like DUMBO on Facebook: https://www.facebook.com/DisneyDumbo/

Follow DUMBO on Twitter: https://twitter.com/dumbo

Follow DUMBO on Instagram: https://www.instagram.com/dumbo/

Visit the official DUMBO website here: https://disney.com/dumbo

DUMBO is in theatres everywhere now!

Marvel Studios’ First Female Solo Lead Makes Powerful Debut in “Captain Marvel” (Spoiler-Free Review)

Marvel Studios’ First Female Solo Lead Makes Powerful Debut in “Captain Marvel”

By Melanie Gable

*I was invited as media to attend a press screening for “Captain Marvel.” All thoughts and opinions are my own.*

“Captain Marvel” checks all the boxes for an entertaining Marvel Studios origin story: Wisecracking hero learning how to wield their super powers responsibly? Check. Villainous alien invaders? Check. Complex and thrilling fight sequences? Check. S.H.I.E.L.D. Agent Nick Fury attempting to maintain control of an insane situation with his signature surly attitude? Check. So what makes “Captain Marvel” stand out from the other films in the Marvel Cinematic Universe (a.k.a. the MCU)?

Namely, it’s Captain Marvel herself.

Captain Marvel in the Desert

First introduced by Marvel Comics in 1967, Captain Marvel has been the superhero alter ego of a variety of characters, both male and female, since the series first began. The new film is based on Captain Marvel’s most recent mantle holder, Carol Danvers, a determined and talented U.S. Air Force pilot with a dry sense of humor and strong moral compass. Played with pluck and confidence by Academy Award winner Brie Larson, the new Captain Marvel is an awesome (and welcome) addition to Marvel Studios’ roster of superheroes.

Though there are already formidable heroines in the MCU, like Black Widow, Gamora, Scarlet Witch, The Wasp, and pretty much every woman in Wakanda (shout-outs to Okoye, Nakia, and Shuri), none of these characters have been featured in their own stand-alone, solo franchise. Captain Marvel is the first female superhero to do so, and it’s long overdue.

But that’s not the only unique aspect of this film in comparison to other Marvel Studios flicks – it also acts as a prequel of sorts to the entire Marvel Cinematic Universe. Set in the 1990s, “Captain Marvel” is not only an origin story for the title character, but also for S.H.I.E.L.D. agents Nick Fury and Phil Coulson, and the Avengers Initiative itself.

The movie begins in media res, with Carol Danvers waking up in another galaxy on Hala, the home planet of the Kree alien race. She has no memory of her life on Earth, but is haunted by vivid nightmares that hint at a past very different from the life she’s living on Hala, where she’s simply known as “Vers.” She spars with a Kree military commander named Yon-Rogg (Jude Law), who acts as her mentor and is training her to serve on an elite team of Kree military officers known as Starforce. Vers believes her super powers, specifically her ability to fire photon blasts from her fists, were given to her by the Kree, and she’s eager to put those skills to use. The Kree are embroiled in a war with the Skrulls, a race of shapeshifters, and Vers is sent on her first Starforce mission to help retrieve a Kree spy from Skrull-occupied territory.

Through a series of misfires, Vers is captured by the Skrulls, who are seeking information about an energy core that could turn the tide of the war. The Skrulls use a device to comb through Vers’ memories of her life on Earth, but she’s uncertain as to whether or not the memories are real or a mind game being played on her by the Skrulls. Vers is able to make her escape and crash lands on Planet C-53, otherwise known as Earth, and that’s where the real fun begins.

Vers soon encounters a younger, slightly less jaded Nick Fury (Samuel L. Jackson, de-aged by visual effects technology) and his partner Phil Coulson (Clark Gregg), agents in the specialized U.S. law enforcement and counter-terrorism division known as S.H.I.E.L.D. Vers is Fury and Coulson’s first encounter with a visitor from another planet, and Fury is quickly drawn into Vers’ search for answers as to who she was on Earth and the real reasons behind why the Skrulls are seeking the energy core.

Directors Anna Boden and Ryan Fleck, a married couple who are also creative partners, are best known for helming indie films “Mississippi Grind,” “It’s Kind of a Funny Story,” and “Half Nelson.” The pair were originally in the running to direct “Guardians of the Galaxy,” but Marvel Studios ultimately hired them for “Captain Marvel,” in part based on an eloquent pitch by Boden. Though the film is a bit uneven in tone, their direction is overall adept, especially in the quieter scenes where the actors are given the chance to have more intimate conversations. With this film, Boden and Fleck have proven they can tackle a big-budget adventure just as skillfully as a character-driven indie.

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